Computer Art 210
DIGITAL
ART
ART
210
M
& W 1:00 to 3:50 and/or T&Th 7:00 to 10:00
Room
#: IB 3404
Instructor:
Kenji Tachibana
Office
& hours:IB#2406 -- by appt.
only
phone:
527-3766
email:
Kenji Tachibana -
kenji@tidecomm.com
Class
URL: Kenji
Tachibana's Tidemark Communications website
Required Text
A text is not required, but I’ll suggest references
that may be useful throughout the course and beyond which you may, or may
not, want to purchase.
Required Materials
Introduction & Objectives
I’m purposely calling this course digital art
rather than computer art to reflect the fact that your digits (i.e. your
fingers), not to mention your eyes and brain, are the primary artistic
tools you utilize to produce your art. The computer is an almost
infinitely flexible tool. With it, you can render aesthetically compelling
artwork in many forms and in many ways. We will briefly look into
some of those possibilities in this class.
However, first and foremost must be to establish some basic working skills with 2 key power-house applications from Adobe, which are Illustrator (version 10) and Photoshop (version 7). Along with learning to become computer literate with the applications, you will need to ground yourself with primary art concept such as color, composition, form, line, scale, and perspective, etc.
You bring the unique creative potential to harness the tool and apply the art concept to your individual class assignments. The tool and applications are powerful but, what you do with it can be devastatingly dull or gloriously gorgeous.
We all have our strength and weaknesses you’ll see mine and I’ll see yours. Tip-toe on your strength to reach higher and don’t let your weakness get in the way. It is very important to know your own strength and weaknesses. If you know your weakness, you can avoid the pot-holes on the road to creativity. Also don’t under estimate the creative potential from your so-called weak side. Accidental discoveries tend to take an artist far beyond their own limited creative abilities.
One you are introduced to new tools and technique, jump on it like a creative kitten. Bat it around and see what it does play with it! I will teach you computer techniques to help you play safely. A condom against disasters…
Attendance
Each class will build on the knowledge and skills
gained from the previous class. This makes perfect attendance and
on-time arrival a critical requirement for getting the most out of this
class.
As for the school rules, you are allowed a maximum of 3 unexcused absences. Beyond that, your grade will drop _ letter grade for each absence. Being on time is equally important since the instruction start when class starts. If you are over 5 minutes late, you will be marked absent for that class. You are responsible for finding-out from fellow classmates what you missed and making sure you keep-up with instructions and assignments.
Grades
Aside from attendance and class participation,
your performance will be evaluated by your ability to successfully complete
a series of assigned tasks on-time. You must complete all the assignments.
Take a professional attitude and pretend that I am your client. Please
avoid offering even creative excuses excuses offer a guaranteed road
to failure.
Course Outline
A generalized scheme, and not necessarily in the
order given. Topics include, but are not limited to:
3. Beginner’s introduction to Adobe Illustrator
10.
Line (path/stroke)
line character and beauty.
Bezier curve curve manipulation.
Line editing and control (add,
subtract, and multiply).
Power “line & fill” editing
tools.
Power tracing and transparency
control.
Blending and blending to path
with layering control.
Type, typography, and
layout design.
Logo and identity design.
And more…
4. Beginner’s introduction to Adobe Photoshop
7.
Cool new stuff
a. Healing Brush amazing results.
b. Patch Tool wonderful tool.
c. File Browser very useful to photographers.
d. Tools Preset useful in production environments.
e. Brush Palette improved for increased performance.
Photoshop Basics
a. Layers amazingly powerful multifaceted layout tool… and more.
b. Selection fully adjustable dynamic tool.
c. Filters amazing automated effect with expandable potential.
d. Brush works wonders with advanced feature sets.
e. Type resolution independent vector-based scalable type.
email: Kenji
Tachibana - kenji@tidecomm.com
website:
Kenji Tachibana's Tidemark Communications
phone: office 206-526-0062
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NORTH SEATTLE COMMUNITY
COLLEGE - 9600 COLLEGE WAY N., SEATTLE, WA 98125
ART DEPARTMENT (206) 528-4535 email - echriste@sccd.ctc.edu